Friday, November 15, 2024

Music By John Williams (11.08.24)

 


No composer has done as much for modern pop culture than John Williams. Go ahead and hum the first movie theme that comes to mind—there’s a pretty good chance that John Williams wrote it. Yet despite his omnipresence in some of my favorite films and franchises I did not know much about the man himself, and I’m sure I’m not alone in this. After watching Music By John Williams I still feel that way, as the documentary is really more of a celebration of the music and career of the composer rather than a deep dive into who he is as a person, but that might just be enough—as Williams himself says, there is a little bit of him in everything he writes.

Music By does go through some touchstones of Williams’ life—his birth, education, the tragic death of his first wife, etc. But once it starts focusing on his career and its impact it rarely touches on anything else. This telling is roughly linear, starting with Williams’ early days as an ensemble jazz pianist to his first composing gigs to his years of universal recognition as the guy who wrote the Jaws, Star Wars, and Indiana Jones soundtracks. Near the end of the runtime things do get a bit more scattershot, bouncing from Harry Potter to Jurassic Park to his various non-movie compositions as if dutifully crossing things off of a list as to not irritate any fans of a particular work by omitting their favorite. This makes for a rather rushed and awkward ending that could have used some more tweaking and streamlining.

There are some insights that I quite enjoyed in Music By, especially Williams’ explanation of the psychology behind the famous five-note refrain from Close Encounters of the Third Kind, as well as the more general importance of character themes and leitmotifs. Keep in mind that while I greatly enjoy and appreciate music I am by no means any expert, so the fact that I understood the occasional intricacies discussed by Williams and the rest of the talking heads speaks to their ability to dumb things down for laymen like myself without making us feel like idiots.

Ironically it is the music itself that makes this film exceptional. Is it even possible to create a bad documentary when you're using John Williams’ music? Isn't it kind of cheating? Music By John Williams could have consisted of a two-hour shot of a monkey scratching itself or grass growing, because as long as Williams’ soundtracks are in there, it really couldn’t fail.

Even so, the filmmakers went the extra mile to make Music By visually interesting, mildly enlightening, and highly entertaining. I may not know the man behind the music much better than I did before, but if he is to be believed his personality and story were behind the notes all along, subtly zipping through our zeitgeist like a potato-faced Extra Terrestrial or a handsome Kryptonian. He will live for as long as we hum his songs, which will probably be forever.

Music By John Williams is now available on Disney+.

 

This review was first published in the Keizertimes on November 8th, 2024. Visit at www.keizertimes.com

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