Saturday, April 5, 2025

Eraserhead (1977) Mini Review

 

    I've been watching a lot of classic movies recently and figured that I might as well jot down some thoughts. Enjoy!




It was a mistake to watch this one right before my sister was scheduled to have her C-section.

Eraserhead is the very first full-length film by David Lynch, master of surrealist cinema. It was also the first I have seen of his, and I was not sufficiently prepared for how bizarre, disorienting, and most of all disturbing the 1977 film would be. In the most basic terms it is the story of a father's struggles with caring for his newborn child, but that child also happens to be the most horrifying creature I have ever seen come to life with practical effects. There is also a deformed lady who lives in the radiator, a diseased man who pulls levers inside of a meteor, and a decapitated head that is used to make pencil erasers.

The film is nonsensical when you try to treat it as a narrative that follows normal logic, but as a cinematic representation of a nightmare it is quite effective. I was unsure of whether or not I liked it when I was watching it—there is a certain film-school student level of pretentiousness to Eraserhead, as if Lynch is making things as obtuse as he can, pretending they mean something, and then laughing at us when we don’t understand his genius, or maybe I’m just dumb and this is all coming from my frustration with not understanding everything. There is also no doubting that Eraserhead is unpleasant to experience, which was, of course, intentional. The music, an omnipresent drone of discordant industrial noise, made sure I was never comfortable, even when the disturbing and disorienting visuals took a break from messing with my brain, and the acting work by Jack Nance and his supporting cast is so alien that it made me feel like I was watching… well, aliens. 

So did I like Eraserhead? The jury’s still out. There is no doubt that it is an effective film, and it is one that I have thought about a lot since I have watched it (compare that to Mufasa: The Lion King, which I watched a day after and couldn’t tell you anything about). The metaphors are strong, the visuals appropriately haunting, and the filmmaking unquestionably solid. But like any nightmare I sure never wish to experience it again.


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